MH: It was probably more intentional than not. I think that is especially true of queer women because women are always taught to hide our lust. Was her career and her childlessness very intentional choices you made, considering her affair with the much-younger Mallory?Ī lot of queer people’s first brush with love and lust is in the shadows. So how does she instigate that?ĬL: The woman writes children’s books and teaches children’s literature at the college despite not having kids. But it was also to make the character less passive and more interesting to me as a person. MH: Yeah, it’s actually something the woman brings up later in the book, sort of as a way of saying “not my fault,” you know? So yeah, on one hand, it was to complicate the usual dynamic, to make the woman not the pursuer and throw in more ambiguity around the circumstances of this relationship, which are certainly questionable.
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Why did you decide to make Mallory the pursuer instead of the woman? Was it to play with that typical power dynamic? But you also can’t deny the amount of solace that it gives these two people.ĬL: It’s also interesting, because despite being the younger, more inexperienced one, Mallory is the one who pursues the woman: she follows her into the restroom at the book event, she emails her, she visits her office, etc. You could certainly make the argument that the relationship is toxic, and certainly elements of it are. So I think this relationship makes sense for these two characters. While I don’t want to make any grand claim about queer relationships, I do think that for these specific characters, they both came of age in times of immense loneliness and their formative sexual romantic experiences were secretive, you know? A lot of queer people’s first brush with love and lust is in the shadows, right? I think that is especially true of queer women because women are always taught to hide our lust. Do you think the usual power dynamics in younger/older relationships are different when it’s two women? And I just kept thinking about if the woman had been a man, how much more disturbing I would have found that dynamic.
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That’s when you know the imposter syndrome is not real at all! So when the book opens, we’re told that the woman is twice Mallory’s age when they start their affair.
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And some of them blurbed my book!ĬL: Oh my god, you got the best blurbs. I spent four years covering books by some of my absolute favorite writers. But on the other hand, it’s imposter syndrome run amok.
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The way that I revere and want to talk to certain authors-I want to be the author that somebody wants to talk to. I got the hardback copies of my book the other day, and I put one on my shelf and I slotted it in between Melissa Febos and Garth Greenwell, and I was like, Michelle Hart, what’s she doing there? While I was working as the editor, I often had the thought that I could do this I want to have a book in the world. How does it feel to be on the other side now, as one of the queer writers you used to champion? I was truly elated to be able to read the novel early and speak with Hart about it via Zoom.Ĭelia Laskey: I wanted to start with how you were such an incredible champion for queer books when you worked at O.
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I was lucky enough to hear Hart read a snippet from the beginning of We Do What We Do In The Dark at a reading series long before its release and as soon as I heard it, I was like GIVE ME THIS BOOK RIGHT NOW. The book begins with the affair, then flashes back to Mallory’s youth, detailing her mother’s illness and Mallory’s close friendship with a neighbor girl and eventually that girl’s mother, then it moves forward to show Mallory reuniting with the woman after many years, then it moves forward five years after that, showing Mallory in a new relationship where she tells her girlfriend about her affair with the woman, stating “…the me that’s next to you right now is only here because of my relationship with her,” showing the profound and continued sense of self the woman gave to Mallory.