So what do I call it? I call it good.Ĭonsidering your cover choices, from Beyonce’s “Irreplaceable” to “Love Shack” and even “Staying Alive,” I’m starting to think that maybe Jennifer Nettles has the musical taste of a gay man. Obviously I’m so grateful that they play us on country radio and that country fans love it, and I’m grateful that pop fans love it as well. I think it’s really what speaks to the human spirit.Īs an artist, it always feels a little bit squishy to try to answer that question – because you never want to be pinned in one way or another, while at the same time I feel very proud to be called country. That being said, I consider myself country if you like country, and if you don’t like country but you like what we do – awesome! I love that, too. I love all kinds of music, and clearly not only can you tell from “The Incredible Machine” but even from songs on past albums or our cover choices. You know, I’m so grateful that country music found us first. Does Sugarland still consider itself a country act? With all of its arena rock and pop influences, “The Incredible Machine” is a departure from your country roots. In this rare sit-down with the singer, a powerhouse since “Stay” stormed the charts and nabbed a Grammy in 2009, Nettles talks coming out in country music, how she still loves her lesbians even if one of them – a former Sugarland band member – sued her, and why Adam Lambert turns her on. And though she has one hell of a voice, as does bandmate Kristian Bush, she doesn’t just use it to sing the arena rock-inspired songs from their fourth and latest album, “The Incredible Machine.” She uses it to speak to the duo’s gay fans – even though so few country artists do. (Note: information listed has not been updated since the organization’s induction).As the lovable lady half of supergroup Sugarland, Jennifer Nettles is country’s answer to the contemporary diva – she can belt like the best of ’em. The organization strives to foster a collaborative and supportive environment that helps all members represent the LGBT communities while expressing themselves through music. In addition, Lakeside Pride has helped other LGBT organizations, such as the AIDS Foundation of Chicago, AIDS Walk Chicago, and American Veterans for Equal Rights, to raise awareness of their issues.įrom its inception, Lakeside Pride and its legacy ensembles have welcomed members of all playing abilities, from those who have not played since high school to skilled musicians. The LGBA also performed at the inauguration of President Obama in 2009 and was the first LGBT organization to march in an inaugural parade.Īcting as ambassadors for Chicago and Illinois, Lakeside Pride members appear at Midwestern events to heighten community acceptance. Lakeside Pride members regularly participate and help organize LGBA-sponsored performances, including performances at the Gay Games in Sydney, Chicago, and Cologne. Today, LGBA represents more than 30 musical organizations worldwide. The national group later became the Lesbian and Gay Band Association (LGBA). Out of the seven independent bands that came to the conference, the Lesbian and Gay Bands of America was formed.
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The organization also hosted the first national conference of LGBT bands in 1982. It introduced the Windy City Gay Chorus in 1979 and the Artemis Singers the following year.
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The original Chicago Gay Pride Band grew out of a desire to have a marching band in the Pride parades and was one of the first gay marching bands in the world. Every year thousands of audience members also experience the other three Lakeside Pride ensembles at venues such as the Center on Halsted, the Chicago Cultural Center, the Chicago History Museum, and the Preston Bradley Center. The marching band entertains nearly a million spectators annually at the Chicago Disability Pride Parade, the Chicago Memorial Day Parade, and the Chicago Pride Parade, among others. The Freedom Band & Color Guard (a marching band), Shhh…OUT Jazz Ensemble, Symphonic Band, and Symphony Orchestra help foster goodwill and promote social acceptance through music. Currently, Lakeside Pride features performances by four major ensembles. Over the years, hundreds of members have contributed to a long tradition of musical excellence. Though the organization has had several names, starting with the Chicago Gay Pride Band in 1979, its mission to bring friends and members of the LGBT communities together through the celebration of music has remained constant. Lakeside Pride Music Ensembles reflects a legacy of Chicago LGBT musical groups that spans more than 30 years.
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Today, its four major components are still helping to promote LGBT equality and social acceptance through music, frequently appearing in parades and concerts. Lakeside Pride Music Ensembles, is the umbrella group for a succession of instrumental ensembles that began in 1979 with the Chicago Gay Pride Band.